Olga Georges-Picot nackt sorted by

relevance

Shot in Turkey apparently a Belgian wool merchant had some money tied up there which he decided to spend on making a movie , The Immortal One 1963 has a distinct feeling of Last Year at Marienbad 2, or Last Year at Istanbul although Robbe-Grillet actually claimed to have started work on it before collaborating with Resnais.

He then pursues her, full of questions, around a city where nothing is quite as it seems — the ancient mosque the woman visits is more likely to have been built in the 20th century and an antique he buys for her is a mass-produced fake.

Took the Dice reworks the same material according to principles of chance a character rolls a pair of dice on screen.

But it also has plenty of nuance and luminosity plus no blemishes to speak of , and the sketchy quality of the visuals adds to the pell-mell, off-the-cuff feel of the movie.

Again like Marienbad, it is ravishingly, stupendously chic.

In a 7-minute introduction packed with juicy anecdotes, Catherine Robbe-Grillet talks about how her husband got beaten up by a drunken Soviet policeman and lost two teeth which she shows to the camera, kept in a little bottle and reveals that he had an affair with Catherine Jourdan after the shoot, during the editing.

He also tells a fun story about shooting in a vast, unused, Soviet sugar beet factory and repainting it in bright colours, just because he could.

She showcases us her boobies including utter frontal bareness in girl-girl cutting video.

From then on, his emphasis surprising to anyone who might have assumed him to have been above such petty concerns would be on making films quickly and to a tight budget — films that would please audiences and turn enough of a profit to enable him to get more projects off the ground.

Filmed in just sixteen days, very cheaply, using static shots with no camera movements and often managing with just one take, this is Robbe-Grillet at his most provocative and assured.

Robbe-Grillet talks about the musical theory behind the films, and explains that he hired the actors on a basic contract without knowing which parts they were going to play, casting Jourdan, who ended up with the lead role, just three days before cameras rolled.