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I'm heartened by LAUSD students' organized walk outs - they are our future - lets equip them the best we can to be able to amplify their voices! I was very lucky to be raised by middle class parents from the Silent Generation.

'DESDEMONA'S' FREEWHEELING SEXUALITY A spotlit handkerchief suspended overhead at the start of "Desdemona" signals Vogel's faithfulness to Shakespeare.

That led to talking about the theme of the day with the girls coming up with questions to ask other participants.

I loved old movies 1930's era , from the age of 6, which was also the age when I started 1 st grade by being bused to an inner city school with about 12 other white kids in the first year of school integration in Memphis, TN.

By setting the action in a women-only laundry room, however, Vogel "How I Learned to Drive," "Hot 'N' Throbbing" is free to give "Othello" a wild back story.

His calm and patient demeanor made him great to work-out with.

When the two crunch apples together, he's still an innocent Adam to her predatory Eve.

I also benefitted from arts education starting in 3 rd grade.

Each session is conducted within its own sector to ensure safe social distance and training sectors are thoroughly cleaned after every session.

Several actors mug and wring their lines too hard for their limited comic juice.

Vogel's "Desdemona" makes us see the rampant possibilities outside that blinkered view.

Which 5 movies best represent the struggle, sacrifice, courage of our veterans and depict the brutality of war for you? The workouts were not easy — bear crawl anyone? EXIT Theatre Presents the Plays of Eugene Ionesco Productions of plays by Eugene Ionesco at EXIT Theatre Produced by EXIT Theatre unless otherwise noted The Bald Soprano produced by Cutting Ball Theater EXIT on Taylor June 5 — June 16, 2019 translated and directed by Rob Melrose Exit the King by Eugene Ionesco EXIT Theatre March 16 — April 7, 2018 translated by Donald Watson directed by Stuart Bousel With Christina Augello, Mikka Bonel, Valerie Fachman, Justin Lucas, Ron Talbot, and Don Wood as King Berenger the First; stage manager Sara Barton;costume design Lindsey Eifert; movement and staging Margery Fairchild; set and properties design Mary Naughton; sound design Ryan Lee Short; construction Kyle McReddie; graphic design Cody Rishell; lighting design and production manager Amanda Ortmayer.