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In this industry, especially on this side of the supply chain—which is the head designers and the showrooms and the studios, the affiliates in Paris and New York—the pressure is so intense and these creative people are funneled into this tiny hole where they have to get through.

Charities can be tricky in how they can often have the opposite intended effect on those very industries by increasing their complacency and decreasing the incentive to actually do the sourcing and buying.

It's still my access point—when I go on a photo shoot, I'm chatting about sustainability all day to CEOs and head designers, and that is really valuable.

An unemployed Mancunian vents his rage on unsuspecting strangers as he embarks on a nocturnal London odyssey.

Kitx is an Australian brand which is so beautiful too.

Why biodynamic farming over other means of regenerative agriculture? Discussions around sustainability are becoming increasingly central to many brands.

I always say start with the materials, because we can't be sustainable until we are sourcing 100 percent sustainable materials, and I would even go farther and say regenerative materials, because every single material that we take from there could be grown in a very regenerative way, like with biodynamic farming, for instance, which is very close to my heart.

As a model, I wish for the day—and it will come—where I can say that I'm never modeling again for brands who are not far along the way to becoming sustainable.

What critics say is missing is the recognition that before they pledged to become part of the solution, they were part of the problem.

This interview has been edited and condensed for clarity.

You've had nature explained to you and you're bored with it, you've had the living body explained to you and you're bored with it, you've had the universe explained to you and you're bored with it.